Hellenistic Greek Sculpture. Draped low across her torso, the mantle reveals the gentle swell of her right breast, an unusual feature of Roman busts of this period. 72.AA.106. Bernischen Historischen Museum, November 6, 1982-February 6, 1983. BUST OF WOMAN PORTRAIT Buste de femme et autoportrait 1929 More from 1929. no. Open today 10â11 a.m. members | 11 a.m.â6 p.m. public. (Malibu: J. Paul Getty Museum, 1991), p. 28. A separate marble piece in the form of a bun was originally attached at the back of the head. 49-50, cat. Raeder, Joachim. As the Romans Did. The wavy locks that frame her face are combed to the back, where they are woven into numerous braids, nearly all of which are wound into a heavy, multitiered bun worn at the upper part of the back of the head. This coiffure emulates a type worn by Faustina the Elder (d. AD 141), wife of Emperor Antoninus Pius (r. AD 138â61), suggesting that she lived during this period. Download Citation | On Jan 1, 2003, Karen Manchester published Portrait Bust of a Woman | Find, read and cite all the research you need on ResearchGate 3rd ed. Exh. 161) The heavier encrustations on the proper left side of the sculpture largely obscure the incisions. (Bern: Archäologisches Seminar der Universität Bern, 1982), pp. Roman Portrait Busts. 83.AA.44. The highly polished surface of the bust also signals an Antonine date for its creation. The text on this page is licensed under a Creative Commons Attribution 4.0 International License, unless otherwise noted. ; 52.7 by 48.3 cm. Portrait Bust of Cicero (1st Century BCE) Marble. The political or social message that a portrait conveyed was as important as its actual resemblance to the person portrayed. Portrait Bust of a Woman, possibly Octavia Minor. This beautiful bust is amazing because it seems so familiar to us, although it was made nearly 1,900 years ago. Open Content images tend to be large in file-size. This sensitively carved portrait bust presents a mature woman with a thoughtful expression and piercing gaze; the scroll held in her right hand signals an appreciation for classical learning and marks her as a member of the elite. Portrait bust of a woman by Mr. Wheeler Williams Contributor Names Williams, Wheeler, 1897-1972, sculptor Genthe, Arnold, 1869-1942, photographer Created / Published 1928? panel: 15 ½ by 13 ¼ in. This catalogue is the most extensive investigation to date of the museumâs works from ancient Rome, and focuses on 165 significant objects from the collection. 67, ill. (entry by Ines Jucker-Scherrer). ), Restricted gift of The Antiquarian Society in honor of Ian Wardropper, the Classical Art Society, Mr. and Mrs. Isak V. Gerson, James and Bonnie Pritchard, and Mrs. Hugo Sonnenschein; Mr. and Mrs. Kenneth Bro Fund; Katherine K. Adler, Mr. and Mrs. Walter Alexander in honor of Ian Wardropper, David Earle III, William A. and Renda H. Lederer Family, Chester D. Tripp, and Jane B. Tripp endowments. Portrait Bust of a Woman Culture Roman Period late Republic - Early Augustan Date second half ... As well as showing signs of maturity, this portrait of an older woman wears an unusual head-cloth, which characterizes her as a nurse (nutrix). The panel is uncradled, flat and stable. Her body is angled away from the viewer, turned slightly to her right. Portrait Bust of Young Woman Origin England Date 1730–1760 Medium Black chalk with stumping, heightened with white chalk and traces of white gouache, on gray laid paper with red and blue fibers, tipped onto ivory wove paper Dimensions 411 × 284 mm Credit Line The Leonora Hall Gurley Memorial Collection Reference Number 1922.131 Her hairstyle copies one worn by the Empress Faustina, the wife of the emperor Antoninus Pius, who reigned from A.D. 138 to 161.The highly polished surface of the bust also signals an Antonine date for its creation. The J. Paul Getty Museum Handbook of the Collections. 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