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shure ksm8 vs ksm9

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This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. She will be using IEM with this mic. Just commenting again on the visuals for a moment, the KSM8 is a very elegant and classy-looking mic indeed, and if I didnt know better Id assume from its shape and styling that it was a capacitor mic rather than a moving-coil design. A25E. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. Did you mean the KSM9? Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. In addition to diminishing unwanted movement, the moving piston and internal cavities have been precisely engineered to stabilize the diaphragm amidst mechanical vibration. As expected from professional equipment, youll get that superior quality and low noise levels. Live sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand). This microphonecan give a colossal improvement to your vocal and it actually deserves every dollar spent. Both mics share some internal design features too: they both have the dual diaphragm design, which delivers a nice smooth frequency response. The views expressed are those of the contributors and not necessarily those of the publishers. . However, the output impedance is slightly higher than usual, at 300, and although this will technically mean a slightly higher noise floor than a mic with, say, a 150 output impedance, given the KSM8s intended application I think such concerns are completely irrelevant. They must maintain this distance in order to avoid variations in tone. There were four models in AKGs dual-capsule range, starting with the D200. Shure KSM9 vs Sennheiser E965 for Vocals. You wont have the super resilience of a dynamic mic. The KMS 105 also has a very high audio quality, making it perfect for professional recordings. 1.93 in. It has a very clear sound with a lot of detail, making it perfect for recording vocals. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. This helps maintain richness and definition in the bass, without it becoming overwhelming. We have always believed these are the ingredients that inspire and shape real results for businesses and brands. Together we are over 500 exceptionally creative and talented specialists working from design studios, research labs, and engineering centers across Europe and the US. The Diaphragm Stabilization System (DSS) works with the pumping pneumatic shockmount to isolate and suspend the cartridge, reducing handling noise. Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. It is also a great option for those who are looking for a microphone that is durable and easy to use. The KSM8 provides greater immunity to these problems, due to linear polar response across the entire frequency spectrum. Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. Internal shock mount and capsule stabilization mean minimal handling noise. Condensers offer a higher output level than dynamic mics, but theyre a lot more sensitive to loud noises, handling noise, and tend to break more easily. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, Die-cast Aluminum with Paint or Brushed Nickel Finish, Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9, Black Foam Windscreen for KSM8, SM85, SM86, SM87A, Beta 87A, and Beta 87C, Black Replacement Grille for KSM8 Wired and Wireless, Brushed Nickel Replacement Grille for KSM8 Wired and Wireless. The Shure KSM9 is a condenser microphone, so it does require phantom power. 3:06 Shure KSM9 Only Called the Diaphragm Stabilisation System, or DSS, this smart technology protects the active diaphragm, preventing excessive excursions or rocking motions during plosives or physical knocks. Sweetwater's Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shure's KSM8 dynamic mic and KSM9 condenser mic. Finally, dynamic mics are passive meaning they dont require any power. In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. Well, at 429, this mic doesnt come cheap. Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. All you need to know about wireless microphones. But there are some differences. Consistent with legendary Shure microphone innovation, the KSM9 is the first handheld condenser with dual diaphragms and variable polar patterns. Given all the limitations of live performance, this mic really is impressively close to the natural sound of the human voice. A good condenser will give any vocalist the air and sparkle required to effortlessly cut through the mix. Theres no on/off switch on the KSM9 or any of the Shure KSM range. At first glance it looks just like any other conventional stage vocal mic there's nothing in its styling that signposts the clever technology within. Your email, has been entered to win this giveaway. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. Check out the Shure KSM8 here:https://www.sweetwater.com/store/detail/KSM8N--shure-ksm8-dualdyne-nickelSubscribe to Sweetwater:https://www.youtube.com/user/S. The Shure KSM8 Dualdyne Microphone is the world's first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. 1:41 Shure KSM9 Only Elegantly crafted products that are simple, useful, and desirable. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. I prefer the KSM9 over the Beta87C. KSM8. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. For noisier setups, the tighter supercardioid pattern does a good job of rejecting off-axis noise, which reduces feedback and stage bleed. However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. Forums for Audio Professionals, Run by Audio Professionals. As low as $62/mo. At a similar price, therere many comparisons to be made between the 105 and the KSM9. By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. 530 706 Des. Re: KSM9 vs. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. The passive diaphragm obviously moves in response to sound waves, and thus transmits sound waves into the rear chamber, but it affects low and high frequencies differently. These marks may be registered in other jurisdictions. This provides a clean and transparent sound, while generating a little more heat than other designs. In my opinion, if budget allows, stretch to a KSM9. 5 stars: 28 %: 4 stars: PA Consulting. Giving just enough brightnessto put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. Crucially for a live condenser, theres also a suspension shock mount. For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. Q. This improved design had even less proximity effect, achieved through the use of considerably more entry slots designed to provide an almost continuous variation of phase shift with frequency, instead of a small number of fixed discrete shifts. How careful do you have to be in handling? Usefully, and for related reasons, the mics susceptibility to plosive popping is also dramatically reduced as an added bonus! XLR are the standard connectors on all professional studio equipment. Learn More. With solid internal engineering, it handles noise and feedback well. Thus, it is like you buy one mic but end up with two, and you can switch themwhenever you want, which is quite very awesome. Cardioid is more natural but may need a louder vocal to combat feedback. It features a cast aluminium handle, solid construction, and comes in two colours: charcoal or champagne. I have heard good things about this capsule. Exclusive deals, delivered straight to your inbox. Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. Building on a technology that Shure first introduced in 1966 with the Unidyne III capsules used in SM57s and SM58s, the KSM8s pneumatic shockmount sits below the Dualdyne capsule to decouple it from the microphone body, thereby minimising low-frequency handling noise. The switchable polar pattern also gives you that extra control to tailor your sound to the vocalist and the environment. Win a TB-03 and TR-06 from Roland. $621.00. Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. If you want the best quality XLR cables, try these. In a switchable-pattern capacitor mic the rear diaphragm is made electrically active, of course, and by changing the electrical biasing of the two capsule halves and combining the electrical outputs from both diaphragms, it is possible to create any desired polar pattern from omni through cardioid and on to figure-of-8. Are there any favorites on the Sennheiser end of things? KSM9 is also amazingly crispy and I find it quite amusing. The action you just performed triggered the security solution. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. As lead vocalist of prog metal band im in doubt between the dynamic KSM8 and the KSM9.. What would you recommend? There is no doubt in my mind that the Shure KSM8 Dualdyne handheld dynamic is a superior microphone for live vocals. and if so what are your opinions. Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. However, some singers will need more control over the way their voice sounds. Developing the Source Code" that connects business strategy and customer insights to brand essence and product experience. Shure KSM9 has two modes: cardioid and supercardioid. What else do you need for your home recording studio? If the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement. Dynamic mics are particularly suited to live and stage use. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. The KSM8 has more of a presence peak in the upper mids, whereas the KSM9 feels more transparent throughout the high range. 3.7 out of 5. One other thing to note is that theres a very slight difference in the high-end response between the two switchable polar patterns. For a better experience, please enable JavaScript in your browser before proceeding. Sweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. For a condenser, different polar patterns are achieved by changing the backplate voltage, shifting the capacitance, etc., - these manipulations are essentially . KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. The KSM8 retails for a couple of hundred dollars cheaper than its condenser counterpart, and is aimed at a slightly different consumer bracket. But theres one major difference between these two mics. Sandusky, MI, United States (26) SHURE KSM9/CG/ But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. This makes it ideal for recording vocals or instruments in a studio setting. The dual diaphragm design gives it one active and one passive diaphragm, so its also inspired, to an extent, by some of the classic fixed-pattern twin-diaphragm condensers. It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. This is to stop little bursts of air causing bassy pops on your studio recordings. Cloudflare Ray ID: 7a2dba687d4fa3ab All in all the KSM9 has a durable, carefully considered design. We develop services as multi-channel brand experiences that empower people in meaningful ways and deliver value for both the user and company. By using the second diaphragm in the resistance network low frequencies are partially blocked from entering the cartridge resulting in a natural, low-end response with controlled proximity effect and no loss in clarity. The well-balanced and tapered body is comfortable to hold without risk of obscuring the rear ports. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. This is, of course, complete nonsense: new developments are still appearing quite regularly, bringing substantial improvements in quality and accuracy, reliability or manufacturing costs. Another drawback of sensitive microphones is that they often have a low maximum SPL. The Neumann KMS 105 microphone is the choice for professionals who demand excellence in their recordings. Shure's KSM8 has been custom-made for live vocal reproduction, providing the near-exact sound of your voice through a PA or recording desk. The KSM9 appeared on our recommended list for Condenser Mics Under $1000 from October 2018 until March 2020. The event in which it gets out of order is quite unlikely, however, with a good amount of acceleration, anything can be achieved. ; chanel In the meantime, I want to focus first on the development of Shures remarkable new microphone. It may not display this or other websites correctly. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. Find out more about how we test. to maximise the magnetic field in a very small space and thus ensure an acceptable electrical output level. Always works in a rock setting. The Neumann KMS105 is another live handheld condenser mic. Dualdyne capsule continues the ongoing evolution of microphone technology. Confused about setting up your guitar? PR35 has a lot of fans. The lowest frequencies enter via the farthest entrance port, with mid and high frequencies entering through ports closer to the capsule. So far, so conventional except that the active diaphragm is also stabilised by a series of (patent-pending) sound-diffracting plates positioned directly above it. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. It has a 40 to 16000 Hz frequency response, a 300 output impedance, and a sensitivity of -51.5 dBV/Pa (1.85 mV) at 1 kHz, open circuit. There are no user-serviceable parts inside. Review: Best Wireless Mics to date For pros & Noobs! As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. I think the champagne looks very chic! Comparison of Shure KSM9 and Shure SM58 based on specifications, reviews and ratings. Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. Beginning with a simple and sturdy design (and in a handsome matte black), the KSM8 Dualdyne is the world's first dual diaphragm dynamic vocal microphone, a design that eliminates the emcee mic-cupping . It is made from high-quality components, which ensures that it delivers excellent sound quality. Any artist or singer who has enough money for professional gear could use KSM9. The output of these capsules is manipulated electronically to support two pickup patterns . Therefore, if you can afford this mic, go ahead and start digging that difference. A supercardioid pattern is a little tighter around the mic, picking up sound around 57 degrees each side of the mic. A dynamic microphone process sound waves mechanically whereas a condenser microphone does so electronically. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. Re: Shure Beta 87c Vs. KSM9. Like most professional microphones, the KSM9 has a low impedance of 150 ohms. Additionally, the KSM9 has a built-in shock mount that helps to reduce noise from vibration, making it ideal for use with high-end instruments. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum. The higher range gets some gentle boost, resulting in more transparency andhelping to cut through more easily. Theyre reliable, and lots of them sound great. Bauers clever Uniphase design omitted the rear diaphragm, but led directly to the iconic Unidyne Model 55 microphone, released in 1939: the worlds first single-capsule cardioid dynamic mic. At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. Show details. Mic stands reduce any handling noise in the studio. Human factors engineering ensures that medical devices and combination products are safe, effective, and easy to use, while also ensuring that the products meet commercial and regulatory imperatives. They both come with a built-in shock mount and are able to handle high volume levels. He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. If you have any questions not answered in this guide, please contact Shure Applications Engineering at 847-600-8440, Monday through Friday, from 8:00 am to 4:30 pm, CST. The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. SM58. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. It is a handheld condenser with a switchable polar pattern between cardioid and supercardioid. But guess you are looking more into a dynamic type of mic. The younger sibling of the KSM9 is the Shure KSM8. However, what is new groundbreaking, in fact is the application of the dual-diaphragm configuration in a moving-coil capsule. Shure KSM9 Shop now at Amazon. In general, a single-diaphragm capsule provides more accurate results for distant (far-field) sound sources, having a more accurate cardioid response which rejects rearward sources more effectively, and also enjoying a more accurate on-axis frequency response. i recently bought neumann kms105 shure ksm8 and shure ksm 9 hs.. i am very satisfied from all as a better sound choice i choose neumann kms105 but for very very hard and dificult situations i mean bad places bad speaker place very easy to get feedback from mics i choose the ksm 9 hs on hypercardioid This can really work well for folk, jazz and classical styles. Overview. This website is using a security service to protect itself from online attacks. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. The Sennheiser also has a slightly larger diaphragm than the Shure. Web site designed & maintained by PB Associates & SOS. While the KSM9 offered Cardioid and Supercardioid patterns, the KSM9HS offers Hypercardioid and Subcardioid (wide cardioid), selectable via a switch under the grille. On first listen, the two mics have a similarly clear and transparent sound. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. The robust mechanism means theyre also less sensitive to distortion from high sound levels. 25 Feb/23. So if you need that extra sparkle and clarity to give your live sound the edge, then this could be the handheld condenser for you. All rights reserved. The new technology allows for cleaner, more natural, and more prevalent vocals, especially when on stage with other instruments. Enter the KSM9, a new handheld condenser microphone developed for high end live sound usage. Spitfire Audio Hans Zimmer Collection. There are many great microphones on the market, but two of the most popular are the Neumann KMS 105 and Shure KSM9. mic. It is also nice to admit the technological advancements implemented in this unit. In America, Electrovoice took a very different approach in their EV664 microphone launched in 1954. Thats a tough one. We joined PA in 2018, becoming part of one of the world's most capable networks of researchers, strategists, designers, engineers, and scientists. Where the magic happens! Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". The Neumann kms 105 is a popular choice among drummers due to its great sound and durability. Interesting Essay On Sampling Rights and Reforms. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). More videos like Shure KSM8 vs. KSM9 | Whats the Difference? The Shure KSM9 microphone is a high-end vocal microphone that has been designed for use in live and studio settings. Then - and rather predictably - we had to try the mic on a snare drum and guitar cab (both of which can be successfully enhanced with a regular SM mic). There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). Braunmhl-Webers innovative capsule design was patented in 1936, and introduced commercially as the famous M7 capsule employed in all of Neumanns early microphones. . The KSM9 microphone typically runs around $700 in a wired configuration. Brand New. 0:00 Intro The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. In practical terms, working the microphone in the normal way exhibits a far more consistent and balanced sound than would be experienced with, say, an SM58, which can go from distinctly boomy to noticeably thin with only the smallest of positional changes. The Shure KSM9 is also a great choice for studio vocals. Firstly, good live condenser mics, such as the KSM9 have internal shock mounts. . In Summary. The dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound. The cardioid capacitor microphone was conceived in 1935 by Dr Hans Joachim von Braunmhl and Dr Walter Weber, both working for the Reichsrundfunk Gesellschaft (RRG Electroacoustic Laboratories) in Germany during the early 1930s. I work with a female vocalist who is looking to upgrade her microphone. Theyll deliver a higher quality sound than dynamic mics. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! Shure KSM9 is a professional on-stage condenser mic. Find An Answer Browse our vast Answer database for answers to many common technical questions. On stage, the wider cardioid pattern is more suited to singers who move around the mic a bit more. If the two passage times are accurately matched, the sound pressure will be identical on both sides of the diaphragm, and there will be no net movement which means no electrical output. And lets hope youre not positioned next to the drum kit! Meet the KSM8 of house Shure, Inc., the Valyrian steel sword in my arsenal. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. 27 Wormwood St The standard voltage for phantom power is 48 V DC. It also helps to minimise high-frequency handling noise. But as condensers are more sensitive than dynamic mics, they may not be the best choice for everyone. Go for the shorter lengths where possible. Sound Quality. A crossover at 500Hz combines the two capsule outputs to produce the final signal, much like a two-way speaker working in reverse! Given the sensitivities of condenser mics, why would anyone risk using one on stage? #3. Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. Its not something I could actually hear. Shure: KSM8 & KSM9 Microphones. Features. As a condenser mic, the Shure KSM9 requires phantom power. KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues.

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